NEWS
OUT NOW
LIMBO
Released by Drummond Records (ITA) 2025
18 luglio 2025
LIVE @ DRONEDAY 2025
Streamed Live by Radiocarme (ITA) 2025
The initiative is part of the global celebrations for Drone Day – an annual celebration of drone, community, and experimental sounds – promoted and documented since 2014 by https://droneday.org/. After Brescia’s first contributions in 2018 and 2021, the goal is to organize the 2025 edition by inviting local artists dedicated to experimental, harsh, drone, and noise music to drone together on A key, tuned at 432Hz. The performances will flow continuously for 4 hours of drones. Performers: Abo Authoma @abo_authoma Ale Obsidian @aleobsidian Matteo Bonera @matteo.bonera Alessio Degani ale.dega Euypnos @euypnos Paolo Ferrari @paolo_bh Kevin Follet @kevin_follet Golden Heir Sun @golden_heir_sun Groundlicker @thegroundlicker Artistic curatorship: @matteo.bonera Production: @radiocarme Sound engineer: @paolo_bh Location: @moonwalk.studio Beverage: @mesceriaselvatica
24 maggio 2025
LENTO DECLINO
Released by Digital Underwood Productions (ITA) 2025
Three moments, like three breaths: something is born, grows, then fades.
Lento Declino is my way of telling that inevitable cycle.
16 maggio 2025
KEVIN FOLLET & ALE OBSIDIAN
STUDIO SESSION
This session was recorded live at Digital Underwood Studio – Verona (ITA) on November 23, 2024.
Kevin Follet – Synths, EMF and Modulars
Ale Obsidian – Electroacoustics, Live Sampling and Pedals
ODIO
30 Secondi Di Stridore
Released by Rodenfaust Records (ITA) 2024
“This project originates from my mind as an act of protest against the current music industry. I wanted to criticize a system dominated by profit and exploitation, where the artwork is reduced to a commercial product, ignoring its intellectual and cultural value. I criticize the fragmented and superficial consumption caused by the relentless proliferation of playlists that have erased the concept of the album as a complete work. I denounce the creative homogenization of tracks, made according to serial patterns, and the decline in the average listener’s attention span, now limited to fragments of a few seconds, devoid of curiosity. ODIO is not a project aimed at the masses: it is a challenge to those who settle for superficial entertainment, an invitation to rediscover the value of authenticity. ODIO is not just a project: it is a feeling, a cry of resistance against cultural flattening.” “The sound sources for this project come from an experimental electronic instrument I built entirely myself, designed to ensure complete originality. The sounds, generated without using external samples, were processed only to make the overall result more coherent, preserving their raw and authentic nature. The final result translates into soundscapes that oscillate between drone, noise, and sound design, offering an intense and deeply evocative listening experience.” “The project is highly fragmented: it consists of 90 fragments, each 30 seconds long, separated by 2 seconds of silence. The cuts between each fragment are sharp, brutal, like the strikes of an axe. This approach emphasizes an aesthetic of disruption and discontinuity, rejecting any linearity or comfort for the listener.” “I don’t intend to create an album, but rather a standalone sonic experience. Each audio fragment is accompanied by an evocative title, designed to stimulate the imagination. Sometimes, these titles may even evoke a smile, or perhaps a malicious grin, contributing to making the whole experience unpredictable and provocative.” “The emotional tone of the project is deliberately unsettling, chaotic, and minimalist. I wanted to create an experience that disturbs, characterized by raw and dissonant intensity. My influences come from noise art, drone music, and brutalist minimalism, creating a soundscape that is bare and harsh, where harmony is absent and tension palpable, feeding a continuous unease in the listener.” “Even the title, 30 seconds of screeching, is highly evocative. It expresses in a direct and visceral way the nature of the project: a sonic experience that disturbs and shakes, condensed into fragments of pure tension. The title encapsulates the essence of each individual fragment, inviting the listener to immerse themselves in a brief but intense moment of dissonance and discomfort.”
13 dicembre 2024
INTERZONA SixToSix LIVE
FESTIVAL DI IMMAGINAZIONE URBANA
Released by Drummond DSP (ITA) 2024
SixToSix was born from an idea of Interzona, an association that from 1992 to 2016 promoted independent cultural activities inside the former Magazzini Generali in ZAI in Verona, giving a new dimension to an initially decadent and abandoned area. Even after 2016, the year in which Interzona had to abandon its historic headquarters, up to today, the Association, despite not having a headquarters, has continued to promote cultural initiatives in the area by collaborating with local organizations.
The culminating event of the project is the SixToSix Festival designed to experience the ZAI in an alternative way over the course of twelve hours through a series of artistic interventions, installations, performances, screenings and concerts.
Through a route made of slow movements that sequentially connect the locations of the events by bicycle, you have the opportunity to get to know and explore a fascinating area of the city that is strongly linked to its productive past, but also to imagine its future development, reusing and creatively inhabiting some spaces, even if for a few hours.
This release is the result of KF performance recorded live on July 10, 2021 at Parco Santa Teresa, Verona (IT)
1 novembre 2024
MEPHITIC (Original Movie Soundtrack)
Released by Digital Underwood Productions (ITA) 2024
5 luglio 2024
ALE OBSIDIAN & KEVIN FOLLET
ABISSALE
Released by Digital Underwood Productions (ITA) 2024
ABISSALE is a concept album by Ale Obsidian and Kevin Follet made in a one shot recording.
Ale Obsidian: Electroacustics and Tapes
Kevin Follet: Synths and Modulars
3 maggio 2024
RU – CAPA featuring Kevin Follet
Released by OAKHI Records (UK) 2022
BINARY KINGDOM
Released by Drummond DSP (ITA) 2021
“THE REALM OF CODES IS REVEALED
The long awaited day has finally arrived: BINARY KINGDOM (Drummond Records), the new album by KEVIN FOLLET is available from today on all digital distribution platforms.
A record marked by an unusual path as unusual is the release date: Christmas Eve. Path dictated by the desire of the producer to present the new work one single at a time.
In fact, the album’s release was preceded by the singles Table Tennis Odissey, Keep It Rollin ‘, Collapsing Castle, Voodoo, Love Is For The Living and Ancestors.
There are really many collaborations that have seen numerous other prominent figures among the most varied musical genres participate in this work.
The following took part in the creation of the work: Laura Masotto, Alfa Neu, Osvil D, Dj Fazo, Squid To Squeeze, Telegalaxxxy, Sicarius Hahni.”
24 dicembre 2021
Ancestors feat. Laura Masotto
Released by Drummond DSP (ITA) 2021
19 novembre 2021
Love Is For The Living w/ DVNA Remix
Released by Drummond DSP (ITA) 2021
22 ottobre 2021
Voodoo feat. Sicarius Hahni
Released by Drummond DSP (ITA) 2021
16 settembre 2021
Sitarvala & Kevin Follet
Lost in Sci-Fi
Released by Drummond DSP (ITA) 2021
13 agosto 2021
Collapsing Castle feat. Squid To Squeeze
Released by Drummond DSP (ITA) 2021
23 luglio 2021
Keep It Rollin’
Released by Drummond DSP (ITA) 2021
18 giugno 2021
Table Tennis Odissey
with Frenquency Remix
Released by Drummond DSP (ITA) 2021
KF’s roaming sound has no boundaries within which it can be confined in any way.
Once again, KF’s production is an anachronistic journey which takes the listener towards a unique Universe, a parallel one, where space and time exchange roles leading the 5 senses to synergically collaborate in order to comprehend, or more simply to let themselves been carried away in this sonic maze.
What KF offers are soundtracks which slide on different soundscapes each time in a consistent metamorphosis that even Kafka would have a hard time to describe.
Buckle up and have a safe trip!
21 maggio 2021
Belly Dance (Original Mix)
part of V.A. – FACE THE BEAT vol.6
released by Side-Line Magazine (BE) 2020
Desperate Consciusness
X-Tapes (ITA) 2020
Desperate Consciusness remarks the Kevin Follet’s visceral approach to composition and exploration, out of trend as usual, surely a product intended for those looking for something different.
Generated with a modular system and recorded in a live session without any multi-track edits.
Outlander EP
X-Tapes (ITA) 2020
Outlander is a release that maintains the concept linked to the previous releases, that is compositional viscerality and sound exploration, detached from current fashions and aesthetic canons, the result is unpredictable, a feature that Kevin Follet has made his flag in recent decades.
SECRET DRONE SESSION
by Golden Heir Sun, Kevin Follet, Naresh Ran, Groundlicker
Produzioni Rumorose / Rodenfaust / Dio Drone Records (ITA) 2020
Secret Drone Session is a live recording of a one hour impro session with small audience at Produzioni Rumorose, performed by Golden Heir Sun, Groundlicker, Kevin Follet, Nàresh Ran. We only used drones, noises and weird sounds to get through it. Nothing was scripted or prepared, no rehersals were made, this was the only time ever that the four of us played together. It was a meditative and trascendent experience, the feeling of unity among the four musicians and the audience was overwhelming. Hope you enjoy this as much as we did.
APE ON SYNTHESIS | Singles 2002 – 2006
KF (ITA) 2020
AOS is a collection of my 46 best singles published in physical copy, between 2002 and 2006, for my old and buried label E.S.P.E.R. Records, currently SOLD OUT and not available in digital format, will consist in 4 releases which I will publish every 2 weeks on my Band Camp in FREE DOWNLOAD.
This work tells a path, my path in the maze of EDM, Techno, Tech-House and Breaks, placing a starting point and showing the gradual growth in artistic and technical terms.
The title is, as usual, evocative, a monkey at the synthesis clearly highlights the few means I had available and my poor technical knowledge in terms of mixing, hardware, software and composition of the time, BUT without detracting from the feeling that every single song came out.
I am convinced that it will be an Amarcord for my longtime supporters and a pleasant discovery for the more recent ones.
“Bucefalo” Official Videoclip
Ripper’s Song (Original Mix)
part of V.A. – PNEUMONIA
Released by Blush Recordings (ITA) 2020
WOWS – Ver Sacrum
Released by DIO DRONE / COYPU / SHOVE / HELLBONES Records (ITA) 2020
Nautilus (Original Mix)
Overload (Original Mix)
part of V.A. OVERREACTION VOL.3
Released by Dilated Pupils Records (ITA) 2019
DVNA – The Moon Valley (Kevin Follet_Sviscera Rework)
Part of “DVNA – The Moon Valley EP”
Released by Drummond Records (ITA) 2019
Aematique (Original Mix)
part of ” V.A. – Sociopathy “
Compiled by Voice of All
Released by Blue Tunes Chillout (DE) 2019
“Bad Day Beginning” Official Videoclip
VISCERA
Blue Tunes Chillout (DE) / Epictronic (ITA) 2019
With the album “Viscera“ (addendum to Just a Scratch on the Surface EP) Kevin Follet wanted to make a big turn on the artistic and songwriting level compared to all the previous publications. This is an eclectic and unpredictable work, composed and written with feeling without stakes or genre restrictions. “Viscera” is the result of the deepest and most hidden states of mind. Without a doubt the most instinct driven and inner work produced so far.
| BUY HERE |
Just A Scratch On The Surface EP
Blue Tunes Chillout Records (DE) / Epictronic (ITA) 2018
| BUY HERE |
Kevin Follet 